I was working on a “LIZARD OF OZ” job and whenever there is high concept involved I have to do a LOT of fast, throwaway sketches to figure things out. Most of these quick ideas never see the light of day… but there was something about that little gecko in the ruby red slippers. Sadly, she did not make the final cut for the illustration, but she kept looking at me with those great big lizard eyes and I just could not toss her into the trash can with everyone else… so I gave her a coat of paint and deposited her right outside of Emerald City.
I recorded my digital painting process and you can see it in the video below.
Thanks again to my youngest son for letting me use his original music for this video… even though he was not aware that he was letting me use his original music for this video. And if you would be ever so kind Pete, could you please send me some more of your original music so I can use it without your permission in future videos?
I just met with a talented group of creatives in their Arkansas studios and I’m excited to announce that we’ve come up with a brand new comic book project! It’s top secret, but I’ve been given permission to share some of the notes from our meeting. We have a superhero named Charlie, a sidekick robot named 10-Boy, a bad guy named the Globber and two squirrels named Squeak and Squawk. The squirrels are indecisive and don’t know which team to root for. They tell me the roads of Arkansas are paved with double-minded squirrels. For some reason the junior executive at the meeting nicknamed me Uncle Dentist. I’m thinking that was an effort on his part to make me feel at home and keep the brainstorming session loose and creative.
Back in May I did character design and concept work for another Clarks Pest Control commercial. This time a giant cockroach invades the city and he’s way too much for the army to handle… better call Clark! I love the way Clayt Ratzlaff breathes life into my little two dimensional pictures.
I scribbled this fellow into my sketchbook last night while watching the news and then slopped about fifteen minutes of color on him for good measure… and, yes, I heard something to this effect quite often as a kid…
Quarto Publishing just released a new drawing book by Carlos Gomes Cabral and I was asked to make a “guest artist” appearance in it… and this is it.
It seems people really enjoyed seeing my rather… uhm… humble… beginnings as an artist… so I will go ahead and show you the other sketch I did last weekend.
My very first professional jobs were for Silver Dollar City, a theme park in the Missouri Ozarks. I did three different park maps, coloring books, activity books and miscellaneous other illustrations for various products. For some reason, this weekend I was thinking about those old SDC coloring books. It would be really fun to have another crack at those things. I’m not a big fan of hard line coloring book art, but what if a coloring book could be created with tonal art? I had some spare time, so I whipped up a sample to see what that might look like. You can see what I came up with below, right next to my old original coloring book page…
…HEY… I was straight outa college when I did that! QUIT LAUGHING AT ME!
I’m not sure why they called those guys soda jerks, but I’m guessing they probably deserved it.
I’ve been doing a lot of “behind the scenes” work that is confidential, but here’s some character development work for a tv commercial that’s close enough to production that I can show. I love the spider Clayt Ratlaff built from my sketches and to see him come to life in the commercial is awesome!
We’ve gotten by pretty easily this winter here in Northeastern Indiana, but with snow in the forecast I think it’s time to settle down in front of the fireplace, turn on the NFL playoff games, open the garage door, crank up the Snowbot and tell it to get to work.
Concept work is always fun. This is a project I worked on a couple of years ago… a crazy little pack of finger dog puppets.
In concept work my role is not to create finished color artwork, but to develop characters and then show them in front, side, three quarter and back views. My sketches are then used by animators and sculptors to create 3-D versions of the characters with. Below are my starting ideas for the pack of dogs, a few of the 360 degree views and some of the finished product.
Gather ’round kids and I’ll tell you a story of how old timers used to make pictures back in the olden days.
As an illustrator, you have to be ready and able to draw anything a client might ask for, so photo reference is a must. In pre-internet days, artists were continually begging people to give them their old magazines. They would then spend hours looking through them, ripping pictures out and organizing them into file folders. By saving various pictures of random things, there was a slight chance that when a future client asked you to draw some obscure subject, you might actually get lucky and magically find a picture of it in your files. The more expansive your “clip file” was, the greater chance you had of finding usable reference in it. Not exactly an ideal system but better than nothing… slightly.
Finding reference material is so much easier today. The last magazine job I did was a story about a guy finding Elvis’s rusty old motorcycle in a garage sale. The client wanted a caricature of the writer dressed as Elvis and sitting on the motorcycle. I jumped onto the internet, googled up a motorcycle and an Elvis costume and within minutes was working my drawing out.
The good old days were good old days, but I’m a pretty big fan of new technology. These days if a client calls and wants a picture of a Gobi Jerboa, I can quickly look it up, read all about it, find a dozen good pictures to work from and draw a Gobi Jerboa that actually looks like a Gobi Jerboa.
I’ve been extremely busy for the last several months, so not a lot of posts happening on the old blog. One of my jobs was drawing an old time Salvation Army Band… for the Salvation Army of all people… in Canada – ay! Big fun!
Another snippet from the book I’ve been illustrating. I finished the art, sent everything in to the publisher and the book is due to be printed and available sometime this fall.
The new book I am currently illustrating has a little bit of everything in it. Here’s another snippet showing concept, rough and finished art.