This summer I spent a week in Oklahoma where I was introduced to some sort of game called Pathfinder made by the Paizo Game Company. I really liked the game art, so when I got home I had to put my own spin on a couple of their characters.
I set up a WIP (work in progress) here on my Behance sight if you are interested in seeing this from start to finish.

A long time ago, in a galaxy far, far away…
I had completed my freshman year of college and needed a summer job. My brother-in-law, Larry, (a plumber in Kansas City) said I could come dig ditches for him. I had seen construction workers using ditch digging machinery called Ditch Witches and thought it would be fun to run a heavy piece of equipment like that. When I showed up for work, I asked Larry if he had a Ditch Witch. He laughed and said “I do now!” He handed me a shovel and I proceeded to dig ditches for him by hand.
After a week or so, my brother Doug called from Nashville and said, “Hey, you can get a job drawing caricatures at Opryland Amusement Park”. I told him I didn’t know how to draw caricatures, and he said “Don’t worry about it, they’ll hire anybody”… so I packed all my worldly possessions into my yellow Opel Kadett and headed for Music City.
The fellow who interviewed me was named Crockett Bernall (Doug later named a comic strip after him). Crockett looked at my calloused, blistered hands and said, “I can tell by your hands that you are a gymnast, you obviously do the rings.” I said, “No man, I’ve been diggin’ ditches.” Crockett laughed, gave me a caricature artist job and we became the best of friends that summer.
The Opryland caricature job was a straight commission gig. A caricature cost $3.50 and I got to keep twenty percent. If I did thirty caricatures, I made about twenty bucks, fifty caricatures, about thirty five dollars. Not bad money back in the day and a WHOLE lot easier than digging ditches. After a really fun summer in Nashville, I headed back to Missouri for my sophomore year of college.
I am from a large family, and the weekend before school was to start, the family decided to go to Silver Dollar City (another amusement park) and spend one last weekend together. While wandering around the park I noticed they had no caricature artists. Knowing how the management structure of an amusement park worked, I found the administrative building, marched in and asked to see the head of merchandising. The secretary’s eyes got wide, she called her boss, he walked out of his office, his eyes got wide, and off I marched into his office. I was thinking these people were apprehensive about me because I had long hair, was wearing a skin tight yellow Adidas t-shirt, a pair of really short, blue jean cut-off shorts, striped tube socks and red suede tennis shoes… but what they actually feared was that I was an irate park customer, which is why they had agreed to meet with me.
The executive sat down behind his large desk and asked how he could help me. I said, “I noticed you don’t have any caricature artists. I would like to draw caricatures in your park.” He sat and looked at me for a long time, then pushed a yellow legal pad across the desk and said, “draw me.” I took the legal pad, drew him and pushed it back across the desk. He looked at it for awhile and said, “how much would we get?” I hadn’t thought that far in advance, so I quickly flipped the numbers around that I had been working with all summer and said, “I’ll give you twenty percent of my take.” He laughed and said “Let’s give it a try next weekend.”
I drew over 100 caricatures my first afternoon on the job. Silver Dollar City was thrilled. I was a popular new attraction, they had absolutely nothing invested in me and I was generating a new revenue stream for them. Now instead of driving home at night with twenty dollars in my pocket (as I had done all summer at Opryland), I was keeping eighty percent of my earnings and driving home every night with a couple of hundred dollars in my pocket. I drew caricatures every summer for the rest of my college years…
…and that was my start into the “professional” world of commercial art.
We already have DisneyLand… I thought it might be time for OctopusLand.
I have a WIP set up (work in progress) over on Behance you might be interested in seeing.
I spent a lot of time away from my studio this summer which is somewhat problematic when you make a living strapped down to a Wacom Cintiq. Fortunately, I was able to pick up a used 12 inch Cintiq at a good price so I could continue to do work while on the road. I was home alone the other night, turned the TV on to a football game, fired up my little Cintiq and this pint sized fellow materialized during the commercials.
I was recently asked over on Facebook how I came up with ideas, so here is my process on a current project. The assignment; come up with five underwater scenes for a game. The first thing I do is start sketching rough little ideas that pop into my head related to the subject.
The pirate crab looking through a telescope grabs my attention, so I head off in that direction. What can I add to that to create a scene? What sort of underwater props can I use? Well duh, a cannon, of course… and there would need to be a whole band of these crazy pirate crabs… and they have to be pillaging and terrorizing somebody (in a friendly way, of course)… and magically, somehow, the underwater pirate crab scene unfolds beneath my pencil.
I lay a fresh piece of paper over my blue pencil sketch and using a light table, I create a cleaner pencil drawing to work from.
I scan the clean pencil drawing into Photoshop and away we go…
A few years ago when Apple came out with this newfangled device called an iPad, I acquired one just months after it was released. My hope was that it would work as a portable digital sketch pad, and it did… well, sorta… but with no pressure sensitivity on the screen and the somewhat clunky painting apps that were available at the time, I quickly lost interest in painting on an iPad.
I work everyday on a Wacom Cintiq which is a fabulous tool to make art on. I have been hoping for several years that Wacom would jump into the portable device market with some sort of portable Cintiq, and they finally did… and while I have not had a chance to demo the new Wacom Companion, it looks like everything I had hoped and dreamed for…
…unfortunately, then there is the price tag… $2500.00 …ouch. If the Companion was going to be my primary art making device I could easily justify the steep price tag, but for me, I already have a Cintiq, I’m just wanting something to make pictures on during the commercials of an NFL football game… so now I’m thinking iPad again…
Developers have been working overtime trying to come up with an art stylus for the iPad that has some sort of faux pressure sensitivity and I’m seeing new ones hit the market every day. Additionally, developers have been hard at work improving their products and I have been especially impressed with the retooled ProCreate painting app.
All that to say, Wacom finally created the portable digital art pad I have always wanted. Unfortunately, with that steep price tag, I cant justify getting one just so I can occasionally grab it and make a nice picture. On the other hand, I use my iPad every day for everything… so my current plan is to upgrade my iPad (I still have the 1st generation dinosaur), get a fancy new pressure sensitive stylus, and give the iPad one more chance to be my portable digital art tablet.
One summer during my college years, I helped my Uncle Roy frame walls onto the back porch of his lake house. My cousin Lynn and I got one massive wall done, but the studs were not on 18 inch centers (or something like that) so we had to tear it apart and try it again the next day. That night, we slept outside on the wooden deck, surrounded by the construction mess. It was very windy, really cold and my blanket kept blowing off of me. Around midnight, I grabbed a hammer and pounded ten penny nails into each corner of that very nice quilt, effectively solving the flapping blanket problem. I believe the only thing I successfully nailed down that entire weekend was my Aunt JoAnn’s very nice quilt.